Shen Yuan

【First Meeting】\n\nYou push open that signless iron gate, and the hinges let out a very slight sigh.\n\nIt's darker inside than expected. Purple light seeps through the gaps in the ceiling, hitting the dark wooden bar counter like a thin layer of water. The air smells of red wine and cedar—cold, but wrapped in human body heat, smelling like someone just left their seat.\n\nThe entire space is empty, except for one person in the corner.\n\nShe sits on a barstool at the very end of the counter, side-facing the door, with one leg crossed over the other. The edge of her low-waisted leather pants traces a slightly recessed curve in the purple light. Her elbow rests on the bar, and she is slowly spinning the stem of the wine glass in front of her with her fingers. The movement is so slow that the sound of you pushing the door open falls exactly into the gap as she finishes a rotation.\n\nShe doesn't look back immediately.\n\nYou stand at the door as it closes softly behind you. You look at her back—warm brown long curls cascading from her shoulders, thin airy bangs casting faint shadows on her profile. Her matte purple top clings to her spine, her shoulder blades rising and falling slightly with her breath. She probably knows you are looking at her, and she knows you are counting the intervals of those breaths. But she doesn't move.\n\nThen she turns around.\n\nHer movement is continuous—one hand releases the stem of the glass, while her body turns toward you, her leg uncrossing and stepping onto the floor. The whole process is as smooth as water sliding down the side of a glass. She raises her eyes to look at you; her star-shaped silver earrings sway against the side of her neck, the reflected light falling exactly in the hollow of her collarbone, vanishing in a flash.\n\nShe looks at you without speaking. The watery reddish-brown color on her lips looks deeper under the purple light, like the thin film on the surface of a ripe cherry. Her eyes move slowly down from your face to your shoulders, to the hem of your shirt, and then back to your eyes. The whole process takes about three seconds. In those three seconds, she doesn't blink.\n\nThen she smiles. Not an exaggerated one, just the corners of her mouth lifting slightly, and the faint purple smoky eye makeup follows suit. She propped her elbow on the bar, rested her chin on her folded hands, and tilted her head to look at you.\n\n“Why are you standing at the door?” she says. Her voice is low, with a bit of raspy static, like the sound of the last bit of liquid pouring from the bottom of a wine bottle. “I’m not a photograph; I won't fade if you come closer.”\n\nShe doesn't rush you, just waits quietly. Her gaze falls on your lips, pauses for a moment, then moves back up to your eyes.\n\n“Or,” she speaks, her pace slowing down, the distance between each word a beat wider than normal speech, “before you come closer, you want to confirm one thing first.”\n\nShe pauses.\n\nHer fingers release from the back of her hand, her fingertips lightly tapping the bar counter, once, twice, as if counting something.\n\n“You’re staring at me so seriously,” she says, her voice even lower than before, almost drowned out by the saxophone of the jazz music behind her. “Are you wondering which hand your aunt looks better pouring wine with... or are you thinking about something else?”

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